Judging a Book By Its Cover
In Wednesday's comic I totally judged a book by its cover. Is this bad? Not really that phrase really just teaches us not to go by our gut feelings. I'm not talking about any kind of psychic insight or some crap like that. While we are busy during the day our subconscious mind picks up on everything, and the conscious filters in only what we are paying attention too. If its important sometimes this information will get back to the conscious as a dream or a sick feeling in your stomach.
It applies to first impressions when it comes to people. Usually our gut feelings about a person we just met are correct. We pick up on some quality we can't readily notice like body language or pheromone. The phrase is only true when it comes to people if you interprete it was "don't be a racist prick." "That guy is black so I assume he's going to kill me with his huge dick" is very poor thinking. There's an ocean of difference between stereotypes and intuition.
Now as it applies to books I'm not sure how many people think "Well this is going to be a good book." Based on cover art. Cover art is very important to selling books. That's one of the first things that catches people's eyes along with the title is the cover art. Good cover art makes a book stand out. Christopher Moore often complained that the first edition of Bloodsucking Fiends first edition cover was crap. In comics this is more confusing since the inside rarely looks like whats on the cover. The Sharing Knife comic also comes from I don't understand how the knife is involved.
See the synopsis:
Where is the knife in that?
The backcovers of books the ones that people do judge their purposes on seem to be getting vaguer. A copy of Stephen King's Insomnia I own bares a synopsis that does not describe the book at all. I would share it with you, but I don't have the copy currently with me. But this is a problem: If I don't know what the book is about why would I want to buy it? The answer is becoming more and more, because of who wrote it. That's very sad indeed.
Nonetheless I have some reviews:
Insomnia by Stephen King:Is actually about reapers of Shinigami of opposing forces (Purpose and Random) clash in Derry (where IT took place), and involve humans in this struggle by rasing them to a higher level of existence. Relates a great deal to the Dark Tower and from as far as I know the first appearance of the Crimson King. This is an excellent read.
The Dark Tower comics: The art for this is incredible and the story is pretty good. The story is nothing we haven't seen before it so far as come from The Gunslinger and Wizard and Glass, but there are whispers that later story arcs will include never before seen stuff like the fall of Gilead. There are little essays from the author (of the comics not King) about Roland's world, which are great supplementals when you haven't finished the Dark Tower yet. I, of course, am going to be biased towards this series with the greatest opening line ever: "The man in black fled across the desert, and the gunslinger followed."
Marvel Zombies: Dead Days: A one shot of the most original thing Marvel has had for years. Zombies always have a great appeal. Super-powered intelligent zombies are even more appealing. This is their backstory. And wow, I've always known that Mr. Fantastic was an asshole, but in this he's a fucking crazy asshole.
It applies to first impressions when it comes to people. Usually our gut feelings about a person we just met are correct. We pick up on some quality we can't readily notice like body language or pheromone. The phrase is only true when it comes to people if you interprete it was "don't be a racist prick." "That guy is black so I assume he's going to kill me with his huge dick" is very poor thinking. There's an ocean of difference between stereotypes and intuition.
Now as it applies to books I'm not sure how many people think "Well this is going to be a good book." Based on cover art. Cover art is very important to selling books. That's one of the first things that catches people's eyes along with the title is the cover art. Good cover art makes a book stand out. Christopher Moore often complained that the first edition of Bloodsucking Fiends first edition cover was crap. In comics this is more confusing since the inside rarely looks like whats on the cover. The Sharing Knife comic also comes from I don't understand how the knife is involved.
See the synopsis:
Adult/High School–Bujold's The Curse of Chalion (2001) and The Hallowed Hunt (2005, both Morrow/Avon) walked a fine line between fast-paced quest fantasy and character-driven romance. Here the fantasy is in the background, making the developing romance between the main characters, Dag and Fawn, the primary story. The two meet when the wandering adventurer Dag rescues the farmer's daughter Fawn from a Malice, a powerful demonic creature capable of bending the wills and flesh of others to itself. While there is action and drama, the end result is that the events seem built for the singular purpose of pushing Dag and Fawn together instead of moving along any other plot thread. This is a big shift for Bujold's fans, who might expect layers of political intrigue and thrilling action alongside the love story. Fortunately, the lovers are compelling characters, and Bujold delivers a novel that is a sweet, touching, and fast read. While it seems difficult to imagine how a love story can carry a whole fantasy series, teens will want to see how this tale continues in the next volume.
Where is the knife in that?
The backcovers of books the ones that people do judge their purposes on seem to be getting vaguer. A copy of Stephen King's Insomnia I own bares a synopsis that does not describe the book at all. I would share it with you, but I don't have the copy currently with me. But this is a problem: If I don't know what the book is about why would I want to buy it? The answer is becoming more and more, because of who wrote it. That's very sad indeed.
Nonetheless I have some reviews:
Insomnia by Stephen King:Is actually about reapers of Shinigami of opposing forces (Purpose and Random) clash in Derry (where IT took place), and involve humans in this struggle by rasing them to a higher level of existence. Relates a great deal to the Dark Tower and from as far as I know the first appearance of the Crimson King. This is an excellent read.
The Dark Tower comics: The art for this is incredible and the story is pretty good. The story is nothing we haven't seen before it so far as come from The Gunslinger and Wizard and Glass, but there are whispers that later story arcs will include never before seen stuff like the fall of Gilead. There are little essays from the author (of the comics not King) about Roland's world, which are great supplementals when you haven't finished the Dark Tower yet. I, of course, am going to be biased towards this series with the greatest opening line ever: "The man in black fled across the desert, and the gunslinger followed."
Marvel Zombies: Dead Days: A one shot of the most original thing Marvel has had for years. Zombies always have a great appeal. Super-powered intelligent zombies are even more appealing. This is their backstory. And wow, I've always known that Mr. Fantastic was an asshole, but in this he's a fucking crazy asshole.






